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    <title>DEV Community: Alberto Loddo</title>
    <description>The latest articles on DEV Community by Alberto Loddo (@firstcutstudio).</description>
    <link>https://dev.to/firstcutstudio</link>
    <image>
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      <title>DEV Community: Alberto Loddo</title>
      <link>https://dev.to/firstcutstudio</link>
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    <language>en</language>
    <item>
      <title>Insta360 Video Editing Workflow: From Raw 360 Footage to Final Edit</title>
      <dc:creator>Alberto Loddo</dc:creator>
      <pubDate>Sun, 03 May 2026 06:27:42 +0000</pubDate>
      <link>https://dev.to/firstcutstudio/insta360-video-editing-workflow-from-raw-360-footage-to-final-edit-1b6m</link>
      <guid>https://dev.to/firstcutstudio/insta360-video-editing-workflow-from-raw-360-footage-to-final-edit-1b6m</guid>
      <description>&lt;p&gt;Insta360 cameras capture everything. That is their superpower and their curse. You press record once and get a full spherical view. The footage looks incredible in the app. Then you try to actually edit it, and the workflow gets complicated fast.&lt;/p&gt;

&lt;h2&gt;
  
  
  The Insta360 Editing Problem
&lt;/h2&gt;

&lt;p&gt;Insta360 footage is not like normal video. A single .insv file contains two fisheye streams that need stitching. The Insta360 app handles this automatically, but it locks you into their ecosystem for the critical reframing step.&lt;/p&gt;

&lt;p&gt;Reframing is where you choose which direction the virtual camera points within the 360 sphere. This is genuinely powerful, but also time-consuming. Every clip needs individual attention.&lt;/p&gt;

&lt;p&gt;Result: Insta360 footage takes 3 to 5 times longer to process than standard flat video.&lt;/p&gt;

&lt;h2&gt;
  
  
  The Workflow
&lt;/h2&gt;

&lt;h3&gt;
  
  
  1. Export Flat Video First
&lt;/h3&gt;

&lt;p&gt;Export everything from the Insta360 app as flat MP4 files before editing in another tool. Set keyframes, export at target resolution, standard codec.&lt;/p&gt;

&lt;h3&gt;
  
  
  2. Organize Before You Edit
&lt;/h3&gt;

&lt;p&gt;After export, you have a folder of flat MP4s with unhelpful filenames, mixed with footage from other cameras. Tools like &lt;a href="https://firstcutstudio.xyz" rel="noopener noreferrer"&gt;FirstCut Studio&lt;/a&gt; can ingest all your clips and automatically segment, grade, and organize them by quality.&lt;/p&gt;

&lt;h3&gt;
  
  
  3. Choose Your Editing Path
&lt;/h3&gt;

&lt;p&gt;&lt;strong&gt;Quick social clips:&lt;/strong&gt; Stay in the Insta360 app. Its templates and direct sharing are fastest.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Longer multi-camera edits:&lt;/strong&gt; Import exported flat files into your preferred editor alongside GoPro, drone, and phone footage.&lt;/p&gt;

&lt;h3&gt;
  
  
  4. Color Match Across Cameras
&lt;/h3&gt;

&lt;p&gt;Insta360 skews cooler with more contrast than GoPro or DJI. Add warmth (+5 to +10) and reduce contrast slightly on Insta360 clips to match.&lt;/p&gt;

&lt;h3&gt;
  
  
  5. Use 360 View for B-Roll Discovery
&lt;/h3&gt;

&lt;p&gt;Go back to original 360 files for hidden angles. One 30-second 360 clip can yield three or four distinct B-roll shots you didn't plan.&lt;/p&gt;

&lt;h3&gt;
  
  
  6. Manage Storage
&lt;/h3&gt;

&lt;p&gt;A single minute of 5.7K 360 footage is roughly 500MB. Archive raw .insv files after export, keep flat MP4s in your working folder.&lt;/p&gt;

&lt;h2&gt;
  
  
  Summary
&lt;/h2&gt;

&lt;ol&gt;
&lt;li&gt;Shoot with Insta360 alongside other cameras&lt;/li&gt;
&lt;li&gt;Reframe and export as flat MP4&lt;/li&gt;
&lt;li&gt;Combine all footage in one location&lt;/li&gt;
&lt;li&gt;Organize and find best clips (manually or with &lt;a href="https://firstcutstudio.xyz" rel="noopener noreferrer"&gt;AI assistance&lt;/a&gt;)&lt;/li&gt;
&lt;li&gt;Edit in your preferred NLE&lt;/li&gt;
&lt;li&gt;Color match across cameras&lt;/li&gt;
&lt;li&gt;Archive raw .insv files&lt;/li&gt;
&lt;/ol&gt;

&lt;p&gt;The key: treat Insta360 footage as a source requiring pre-processing before it enters your main workflow. Once exported, it behaves like any other footage.&lt;/p&gt;

</description>
      <category>video</category>
      <category>insta360</category>
      <category>editing</category>
      <category>workflow</category>
    </item>
    <item>
      <title>Best Video Editor for Action Cameras in 2026</title>
      <dc:creator>Alberto Loddo</dc:creator>
      <pubDate>Sat, 02 May 2026 16:23:40 +0000</pubDate>
      <link>https://dev.to/firstcutstudio/best-video-editor-for-action-cameras-in-2026-447k</link>
      <guid>https://dev.to/firstcutstudio/best-video-editor-for-action-cameras-in-2026-447k</guid>
      <description>&lt;p&gt;Action camera footage is a different beast from anything else you shoot. The files are massive, the clips are short and chaotic, and 80% of what you capture is unusable.&lt;/p&gt;

&lt;p&gt;Most video editors were built for sit-down content. Action camera users have the opposite problem: 50 to 200 short clips from a single session, and the real challenge is finding the three minutes of good footage buried in the noise.&lt;/p&gt;

&lt;h2&gt;
  
  
  What Action Camera Footage Needs
&lt;/h2&gt;

&lt;ul&gt;
&lt;li&gt;
&lt;strong&gt;High frame rates.&lt;/strong&gt; 60fps or higher, some up to 240fps for slow motion.&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Wide-angle distortion.&lt;/strong&gt; Ultra-wide lenses need correction.&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Volume.&lt;/strong&gt; A single session can produce 30 to 100 clips.&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Stabilization.&lt;/strong&gt; Even with in-camera stabilization, post-processing helps.&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Quick turnaround.&lt;/strong&gt; Most creators want a shareable video within hours.&lt;/li&gt;
&lt;/ul&gt;

&lt;h2&gt;
  
  
  The Best Editors
&lt;/h2&gt;

&lt;h3&gt;
  
  
  GoPro Quik
&lt;/h3&gt;

&lt;p&gt;GoPro's own app handles basics: imports from GoPro cameras, applies HyperSmooth, generates quick edits. But struggles with non-GoPro footage, minimal timeline control, desktop app discontinued.&lt;/p&gt;

&lt;h3&gt;
  
  
  DaVinci Resolve
&lt;/h3&gt;

&lt;p&gt;Genuinely excellent and genuinely free. Industry-leading color grading. But the learning curve is steep and it's overkill for quick highlight reels.&lt;/p&gt;

&lt;h3&gt;
  
  
  Adobe Premiere Pro
&lt;/h3&gt;

&lt;p&gt;Handles action footage competently with built-in Warp Stabilizer. But $22.99/month is hard to justify for hobbyists.&lt;/p&gt;

&lt;h3&gt;
  
  
  CapCut
&lt;/h3&gt;

&lt;p&gt;Free and surprisingly capable. Decent stabilization, good templates. But no help finding the best moments in your footage, and &lt;a href="https://firstcutstudio.xyz/blog/capcut-banned-us-2026" rel="noopener noreferrer"&gt;unavailable in the US&lt;/a&gt;.&lt;/p&gt;

&lt;h3&gt;
  
  
  iMovie
&lt;/h3&gt;

&lt;p&gt;Free with every Apple device. Simple and intuitive. But maxes out at two video tracks, no rating system, no way to quickly identify best footage.&lt;/p&gt;

&lt;h3&gt;
  
  
  FirstCut Studio
&lt;/h3&gt;

&lt;p&gt;&lt;a href="https://firstcutstudio.xyz" rel="noopener noreferrer"&gt;FirstCut Studio&lt;/a&gt; was built specifically for action camera footage. Upload raw clips from any camera (GoPro, DJI, Insta360, phone, drone) and the AI analyzes every clip, grades them S through C tier, and identifies the best moments.&lt;/p&gt;

&lt;p&gt;The clip curation is the core value. Instead of scrubbing through 100 clips, you get an organized library sorted by quality. Then compose a highlight reel with automatic music beat matching.&lt;/p&gt;

&lt;h2&gt;
  
  
  How to Choose
&lt;/h2&gt;

&lt;ul&gt;
&lt;li&gt;
&lt;strong&gt;Quick Instagram clip from today's ride:&lt;/strong&gt; GoPro Quik or CapCut&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Professional results, willing to learn:&lt;/strong&gt; DaVinci Resolve&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Hundreds of clips, need help finding the good stuff:&lt;/strong&gt; &lt;a href="https://firstcutstudio.xyz" rel="noopener noreferrer"&gt;FirstCut Studio&lt;/a&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Already pay for Creative Cloud:&lt;/strong&gt; Premiere Pro&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Mac, dead simple:&lt;/strong&gt; iMovie&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;The biggest misconception: the hard part is editing. It's not. The hard part is sorting through massive footage to find the moments worth editing. That's the problem &lt;a href="https://firstcutstudio.xyz" rel="noopener noreferrer"&gt;FirstCut&lt;/a&gt; solves.&lt;/p&gt;

</description>
      <category>video</category>
      <category>ai</category>
      <category>gopro</category>
      <category>actioncamera</category>
    </item>
    <item>
      <title>Is CapCut Banned? What Happened and What to Use Instead</title>
      <dc:creator>Alberto Loddo</dc:creator>
      <pubDate>Sat, 02 May 2026 10:23:41 +0000</pubDate>
      <link>https://dev.to/firstcutstudio/is-capcut-banned-what-happened-and-what-to-use-instead-2fgg</link>
      <guid>https://dev.to/firstcutstudio/is-capcut-banned-what-happened-and-what-to-use-instead-2fgg</guid>
      <description>&lt;p&gt;Yes, CapCut has been affected by the US ban on TikTok and other ByteDance-owned apps. Millions relied on CapCut as their go-to video editor, and the sudden removal from US app stores left a lot of creators scrambling.&lt;/p&gt;

&lt;p&gt;CapCut was genuinely one of the best free video editors available. It wasn't banned because it was a bad product. It was banned because of who owns it.&lt;/p&gt;

&lt;h2&gt;
  
  
  What Happened to CapCut
&lt;/h2&gt;

&lt;p&gt;CapCut is developed by ByteDance, the same company that owns TikTok. When US lawmakers moved to ban TikTok over national security concerns, CapCut got swept up in the same legislation.&lt;/p&gt;

&lt;p&gt;Both apps were removed from the App Store and Google Play Store for US users. As of early 2026, CapCut remains unavailable for new downloads in the United States.&lt;/p&gt;

&lt;h2&gt;
  
  
  Does CapCut Still Work?
&lt;/h2&gt;

&lt;p&gt;&lt;strong&gt;If you already had it installed&lt;/strong&gt;, the app may still open for basic editing. But you won't receive updates, and OS updates will likely break compatibility over time.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;The web version&lt;/strong&gt; has been intermittently accessible from US IPs. Not reliable.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;The desktop app&lt;/strong&gt; works offline for local editing, but cloud features, templates, and AI tools depend on servers that may not respond to US requests.&lt;/p&gt;

&lt;p&gt;Bottom line: existing installs are on borrowed time.&lt;/p&gt;

&lt;h2&gt;
  
  
  Best Alternatives After the Ban
&lt;/h2&gt;

&lt;h3&gt;
  
  
  FirstCut Studio
&lt;/h3&gt;

&lt;p&gt;If you used CapCut for highlight reels, travel videos, or montages, &lt;a href="https://firstcutstudio.xyz" rel="noopener noreferrer"&gt;FirstCut Studio&lt;/a&gt; is the closest replacement. Upload your clips, AI analyzes footage, builds a polished highlight reel with music and pacing. No timeline editing required. Free to try.&lt;/p&gt;

&lt;h3&gt;
  
  
  DaVinci Resolve
&lt;/h3&gt;

&lt;p&gt;The free option professionals actually use. Full color grading, audio mixing, multi-track editing. Steep learning curve but nothing you can't do with it.&lt;/p&gt;

&lt;h3&gt;
  
  
  iMovie
&lt;/h3&gt;

&lt;p&gt;Apple's free editor. Limited features but reliable, easy, and completely free for Mac/iPhone users.&lt;/p&gt;

&lt;h3&gt;
  
  
  Clipchamp
&lt;/h3&gt;

&lt;p&gt;Microsoft's browser-based editor in Windows 11. Decent templates and basic auto-captioning. Closest to CapCut's simplicity on Windows.&lt;/p&gt;

&lt;h3&gt;
  
  
  Adobe Express
&lt;/h3&gt;

&lt;p&gt;Adobe's free tier with templates and basic AI features. Projects can move into Premiere Pro if you outgrow it.&lt;/p&gt;

&lt;h2&gt;
  
  
  Comparison
&lt;/h2&gt;

&lt;div class="table-wrapper-paragraph"&gt;&lt;table&gt;
&lt;thead&gt;
&lt;tr&gt;
&lt;th&gt;Feature&lt;/th&gt;
&lt;th&gt;FirstCut&lt;/th&gt;
&lt;th&gt;Resolve&lt;/th&gt;
&lt;th&gt;iMovie&lt;/th&gt;
&lt;th&gt;Clipchamp&lt;/th&gt;
&lt;th&gt;Adobe Express&lt;/th&gt;
&lt;/tr&gt;
&lt;/thead&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;Price&lt;/td&gt;
&lt;td&gt;Free&lt;/td&gt;
&lt;td&gt;Free&lt;/td&gt;
&lt;td&gt;Free&lt;/td&gt;
&lt;td&gt;Free&lt;/td&gt;
&lt;td&gt;Free tier&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;AI editing&lt;/td&gt;
&lt;td&gt;Auto reels&lt;/td&gt;
&lt;td&gt;Limited&lt;/td&gt;
&lt;td&gt;No&lt;/td&gt;
&lt;td&gt;Basic&lt;/td&gt;
&lt;td&gt;Basic&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;Learning curve&lt;/td&gt;
&lt;td&gt;Minimal&lt;/td&gt;
&lt;td&gt;Steep&lt;/td&gt;
&lt;td&gt;Easy&lt;/td&gt;
&lt;td&gt;Easy&lt;/td&gt;
&lt;td&gt;Easy&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;Best for&lt;/td&gt;
&lt;td&gt;Highlight reels&lt;/td&gt;
&lt;td&gt;Full productions&lt;/td&gt;
&lt;td&gt;Simple edits&lt;/td&gt;
&lt;td&gt;Social media&lt;/td&gt;
&lt;td&gt;Social media&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;&lt;/div&gt;

&lt;h2&gt;
  
  
  The Bottom Line
&lt;/h2&gt;

&lt;p&gt;CapCut was a great editor. The ban was about geopolitics, not product quality. But the 2026 landscape has enough options that you don't have to settle.&lt;/p&gt;

&lt;p&gt;If you want effortless highlight reels, &lt;a href="https://firstcutstudio.xyz" rel="noopener noreferrer"&gt;FirstCut Studio&lt;/a&gt; picks up where CapCut left off. If you want professional control, DaVinci Resolve is free. If you need something simple, iMovie and Clipchamp are already on your device.&lt;/p&gt;

&lt;p&gt;Most important: if you still have CapCut installed, export your projects before you lose access.&lt;/p&gt;

</description>
      <category>video</category>
      <category>ai</category>
      <category>capcut</category>
      <category>editing</category>
    </item>
    <item>
      <title>GoPro Quik Alternatives 2026: What to Use Now</title>
      <dc:creator>Alberto Loddo</dc:creator>
      <pubDate>Sat, 02 May 2026 09:54:27 +0000</pubDate>
      <link>https://dev.to/firstcutstudio/gopro-quik-alternatives-2026-what-to-use-now-5a96</link>
      <guid>https://dev.to/firstcutstudio/gopro-quik-alternatives-2026-what-to-use-now-5a96</guid>
      <description>&lt;p&gt;GoPro Quik was once the go-to app for quickly editing action footage into shareable clips. But Quik has changed. GoPro has shifted its focus toward subscriptions and cloud storage.&lt;/p&gt;

&lt;p&gt;This guide compares the best GoPro Quik alternatives for 2026.&lt;/p&gt;

&lt;h2&gt;
  
  
  Why People Are Leaving GoPro Quik
&lt;/h2&gt;

&lt;ul&gt;
&lt;li&gt;
&lt;strong&gt;Subscription push.&lt;/strong&gt; Many features now require a GoPro subscription ($49.99/year).&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;GoPro-centric.&lt;/strong&gt; Phone, drone, or DSLR footage gets a clunky experience.&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Stale editing tools.&lt;/strong&gt; The automatic highlight reel feature has not evolved.&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Performance issues.&lt;/strong&gt; Lag, crashes, and sync issues with newer models.&lt;/li&gt;
&lt;/ul&gt;

&lt;h2&gt;
  
  
  1. FirstCut Studio: Best for AI-Powered Highlight Reels
&lt;/h2&gt;

&lt;p&gt;&lt;a href="https://firstcutstudio.xyz" rel="noopener noreferrer"&gt;FirstCut Studio&lt;/a&gt; takes your raw footage and automatically creates a highlight reel. Upload clips from any camera, the AI analyzes every clip (scene detection, quality grading S through C tier), selects the best moments, and syncs cuts to music beats. Free to try.&lt;/p&gt;

&lt;h2&gt;
  
  
  2. CapCut: Best Free Mobile Editor
&lt;/h2&gt;

&lt;p&gt;Completely free, no watermark. Great for social media clips. But no automatic highlight reel generation.&lt;/p&gt;

&lt;h2&gt;
  
  
  3. iMovie: Best for Apple Users
&lt;/h2&gt;

&lt;p&gt;Free on Apple devices, intuitive and reliable. But Apple only, limited effects, no AI features.&lt;/p&gt;

&lt;h2&gt;
  
  
  4. Adobe Premiere Rush: Best for Adobe Ecosystem
&lt;/h2&gt;

&lt;p&gt;Cross-platform with Premiere Pro integration. Requires subscription.&lt;/p&gt;

&lt;h2&gt;
  
  
  5. DaVinci Resolve: Best for Quality-Focused Editors
&lt;/h2&gt;

&lt;p&gt;Most powerful free editor available. Industry-leading color grading. But steep learning curve and overkill for quick edits.&lt;/p&gt;

&lt;h2&gt;
  
  
  Quick Comparison
&lt;/h2&gt;

&lt;div class="table-wrapper-paragraph"&gt;&lt;table&gt;
&lt;thead&gt;
&lt;tr&gt;
&lt;th&gt;Feature&lt;/th&gt;
&lt;th&gt;FirstCut&lt;/th&gt;
&lt;th&gt;CapCut&lt;/th&gt;
&lt;th&gt;iMovie&lt;/th&gt;
&lt;th&gt;Rush&lt;/th&gt;
&lt;th&gt;Resolve&lt;/th&gt;
&lt;/tr&gt;
&lt;/thead&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;Price&lt;/td&gt;
&lt;td&gt;Free&lt;/td&gt;
&lt;td&gt;Free&lt;/td&gt;
&lt;td&gt;Free (Apple)&lt;/td&gt;
&lt;td&gt;Sub&lt;/td&gt;
&lt;td&gt;Free&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;Auto highlight reel&lt;/td&gt;
&lt;td&gt;Yes&lt;/td&gt;
&lt;td&gt;No&lt;/td&gt;
&lt;td&gt;No&lt;/td&gt;
&lt;td&gt;No&lt;/td&gt;
&lt;td&gt;No&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;AI clip selection&lt;/td&gt;
&lt;td&gt;Yes&lt;/td&gt;
&lt;td&gt;No&lt;/td&gt;
&lt;td&gt;No&lt;/td&gt;
&lt;td&gt;No&lt;/td&gt;
&lt;td&gt;No&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;Beat-synced editing&lt;/td&gt;
&lt;td&gt;Auto&lt;/td&gt;
&lt;td&gt;Manual&lt;/td&gt;
&lt;td&gt;No&lt;/td&gt;
&lt;td&gt;No&lt;/td&gt;
&lt;td&gt;Manual&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;Learning curve&lt;/td&gt;
&lt;td&gt;None&lt;/td&gt;
&lt;td&gt;Low&lt;/td&gt;
&lt;td&gt;Low&lt;/td&gt;
&lt;td&gt;Med&lt;/td&gt;
&lt;td&gt;High&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;&lt;/div&gt;

&lt;h2&gt;
  
  
  Which Should You Choose?
&lt;/h2&gt;

&lt;ul&gt;
&lt;li&gt;
&lt;strong&gt;Quick highlight reel without editing:&lt;/strong&gt; &lt;a href="https://firstcutstudio.xyz" rel="noopener noreferrer"&gt;FirstCut Studio&lt;/a&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Short social clips for free:&lt;/strong&gt; CapCut&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Apple user, basic editing:&lt;/strong&gt; iMovie&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Adobe ecosystem:&lt;/strong&gt; Premiere Rush&lt;/li&gt;
&lt;li&gt;
&lt;strong&gt;Professional editing:&lt;/strong&gt; DaVinci Resolve&lt;/li&gt;
&lt;/ul&gt;

&lt;p&gt;If speed and simplicity are what drew you to Quik, &lt;a href="https://firstcutstudio.xyz" rel="noopener noreferrer"&gt;FirstCut Studio&lt;/a&gt; picks up where Quik left off.&lt;/p&gt;

</description>
      <category>video</category>
      <category>ai</category>
      <category>gopro</category>
      <category>editing</category>
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