Everybody who cares about his or her craft feels like an impostor (not "imposter" -- you don't post things, is that it?). For example:
When Sonny Rollins got to hear, and be scared by, the mature Coltrane, he was Sonny Rollins -- he owed nobody anything. Nevertheless, the experience made him tear down his entire approach to musicianship and build it back up again. Because his next-door neighbor had a baby in the house, he woodshedded out on the Williamsburg Bridge. It took him over two years of rebuilding before he felt ready to play in public again (the album aptly titled "The Bridge", 1962).
If you're any good, you're always suspecting you're a fraud -- that's what drives you to keep learning.
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Everybody who cares about his or her craft feels like an impostor (not "imposter" -- you don't post things, is that it?). For example:
When Sonny Rollins got to hear, and be scared by, the mature Coltrane, he was Sonny Rollins -- he owed nobody anything. Nevertheless, the experience made him tear down his entire approach to musicianship and build it back up again. Because his next-door neighbor had a baby in the house, he woodshedded out on the Williamsburg Bridge. It took him over two years of rebuilding before he felt ready to play in public again (the album aptly titled "The Bridge", 1962).
If you're any good, you're always suspecting you're a fraud -- that's what drives you to keep learning.