When I build illustration sets, consistency matters more than any single image. Small shifts in color temperature or line weight break a set fast. I keep a reference image and a fixed seed, then change only one variable per pass. That discipline saves hours of rework.
Lately I have been using Kandinsky 6.0 because its control over composition and style feels predictable across runs. I write prompts in a fixed order: subject, medium, palette, then constraints. If the output drifts, I adjust one clause rather than rewriting everything.
The real lesson is patience. Two or three iterations usually beat one clever prompt, and a saved preset is worth more than a lucky result.
Explore Kandinsky 6.0.
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